Brief Synopsis:

A trip to China, accompanied by two artists, to discover the manufacture of mulberry paper. Its characteristics, its development, its application and its practices in the field of contemporary art. On the way back, a foray into four-handed work in the ateliers in Beijing, Meride and Milan.
Two painters, Francine Mury, from Switzerland and Jiang Zhuquin, from China.
The paper as a support, pre-text that allows a meeting between cultures, the Western and Asian ones.
For the artist, of all time, paper constitutes an essential support. A base from which to design: for writing, calligraphy, the transmission of knowledge, for sketching or creating a work of art. Paper as a place, a melting pot of experiences, concordances and elective affinities.